27.11.2021-12.03.2022

AT WORK! Lavoro, Società, Comunità nell’arte contemporanea


Pablo Atchugarry, Serena Fineschi, Silvia Infranco, Marco Maggi, Giulio Malinverni, Albano Morandi, Lorenzo Passi, Maurizio Pellegrin, Túlio Pinto, Pablo Rasgado, Quayola, Dagoberto Rodriguez, Arcangelo Sassolino, Yūken Teruya, Verónica Vázquez

Curated by Ilaria Bignotti and ACME Art Lab (Alessia Belotti, Melania Raimondi and Camilla Remondina)

With the essential support of:
Piero Atchugarry Gallery, Miami 
Marignana Arte, Venice

An exhibition in two locations:
MO.CA – centre for new cultures, ground floor exhibition rooms, Palazzo Martinengo Colleoni, via Moretto 78, Brescia
Spazio Berlendis, Calle Berlendis 6301, Venice

Artists in Brescia: Pablo Atchugarry (Montevideo, Uruguay, 1954), Serena Fineschi (Siena, 1973), Silvia Infranco (Belluno, 1982), Giulio Malinverni (Vercelli, 1994), Lorenzo Passi (Milano, 1985), Maurizio Pellegrin (Venezia, 1956), Túlio Pinto (Brasilia, 1974), Pablo Rasgado (Zapopan, 1984), Arcangelo Sassolino (Vicenza, 1967), Yūken Teruya (Okinawa, 1973), Verónica Vázquez (Treinta y Tres, 1970).

Artists in Venice: Serena Fineschi (Siena, 1973), Silvia Infranco (Belluno, 1982), Marco Maggi (Montevideo, Uruguay, 1957), Giulio Malinverni (Vercelli, 1994), Albano Morandi (Salò, 1958), Lorenzo Passi (Milano, 1985), Maurizio Pellegrin (Venezia, 1956), Túlio Pinto (Brasilia, 1974), Quayola (Roma, 1982), Dagoberto Rodriguez (Caibarién, Las Villas, Cuba, 1969), Arcangelo Sassolino (Vicenza, 1967), Yūken Teruya (Okinawa, 1973), Verónica Vázquez (Treinta y Tres, 1970).

Promoted by the Presidency of the City Council and by the Department of Culture of the Municipality of Brescia, this collective exhibition presents internationally acclaimed artists who have never before been shown in the city of Brescia. Many large-scale works and site-specific installations will interact with the exhibition spaces in a rare way with great visual impact, igniting cross-contaminations and relationships between the ancient and the contemporary, classical languages and industrial and reused materials.

The exhibition was made possible thanks to the loans and support by the galleries that represent the artists, Marignana Arte, Venice and Piero Atchugarry Gallery, Miami. It dialogues with the foundational values of the 2021 Festival of Peace, including the political or rather community values of the works, principles of dialogue and collaboration, resilience and the sharing of fundamental human rights. This involves fifteen artists (eleven shown in Brescia) from diverse generations and cultural backgrounds, many of whom come from Central or South American countries, selected for their attention to the themes of work and materials, transformation and change: topics of urgent relevance that play out in works of great involvement.

Exhibition text
Testo della mostra

PRESS
SPAZIO BERLENDIS. “AT WORK, LAVORO, SOCIETÀ, COMUNITÀ NELL’ARTE CONTEMPORANEA”, Francesco Fabris, Espoarte, December 2021
Il secondo capitolo di ‘At Work! Lavoro, Società, Comunità’ allo Spazio Berlendis, Venezia, Elisa Baldassa, Exibart, December 2021
Arte, pace e lavoro nel vecchio squero. Sacro e profano alchimie di pittura viva, Veronica Tuzii, Il Corriere del Veneto, December 2021
Quindici artisti si svelano al nuovo Spazio Berlendis, Claudia Meschini, Il Gazzettino, December 2021
Venezia d’inverno è luminosa di eventi, inaugurazioni di mostre, concerti, teatro, presentazioni e cocktail, Venezia da vivere, November 2021
At Work!: una mostra tra Brescia e Venezia, SpeakArt, November 2021
Brescia, Mo.Ca.: “At work! Lavoro, società, comunità nell’arte contemporanea”, Brescia Today, November 2021
«At work!» per il MoCa: 11 artisti «diversi ma uniti», Bresciaoggi, November 2021
Brescia, Mo.Ca.: “At work! Lavoro, società, comunità nell’arte contemporanea”, Bresciatoday, November 2021

AT WORK! Lavoro, Società, Comunità nell’arte contemporanea, installation view (Venice)

Serena Fineschi, Storm 1 & 2 (The Final Match), graphite on paper, 220x120cm each (Venice)

Lorenzo Passi, Nodo d’amore, blown glass in metal structure, 65 x 37 cm x 29 cm (Venice)

Maurizio Pellegrin, Screens, objects on an ancient Chinese surface, 322 x 386 cm (Venice)