Silvia Infranco, Sophie Ko, João Louro, Giulio Malinverni, Lorenzo Passi, Maurizio Pellegrin, Quayola, Verónica Vázquez
Curated by Ilaria Bignotti e Jonathan Molinari
In September a group show is opening in the Marignana Arte spaces with eight of the gallery artists –Silvia Infranco, Sophie Ko, João Louro, Giulio Malinverni, Lorenzo Passi, Maurizio Pellegrin, Quayola, Verónica Vázquez. Their works will be interpreted through the lens of philosophical thought and with a special “optical telescope”, that of memory.
A fascinating, transversal theme that always arouses creative investigation and leads it to dialogue either with the lasting themes of tradition and the past, or with that more intimate, private, we might say secret dimension that protects and constructs each artist’s human and creative identity.
Text by Ilaria Bignotti
Text by Jonathan Molinari
Testo di Ilaria Bignotti
Testo di Jonathan Molinari
PRESS
La memoria è un essere capriccioso e bizzarro…doppia intervista ai curatori: Bignotti e Molinari, Giorgia Bergantin, Espoarte, October 2021
Due nuovi progetti per gli spazi di Marignana Arte a Venezia, Elisa Baldassa, Exibart, September 2021
Cultura, Venezia: mostra con opere di 8 artisti, Prima Pagina News, August 2021
“La memoria è un essere capriccioso e bizzarro, …”, installation view
Quayola, Iconographies #21-80: Judith and Holofernes, #34 Correggio, #74 Botticelli, #77 Tiziano, 2020, engraving on anodized aluminum, cm 58x42x3
Maurizio Pellegrin, Black Square, 2017, acrylic on canvas, wood, cm 75×50,5×2
João Louro, Cover #39 Le Deuxieme Sexe. Les Faits et les Mythes, 2021, oil on canvas, cm 196x131x5
“La memoria è un essere capriccioso e bizzarro, …”, installation view
Sophie Ko, Geografia temporale. In Bloom I, 2021, pure pigment and gold dust, cm 90x50x6
Silvia Infranco, Tracciati, 2019, pigments, oxides, bitumen on paper, cm 104×79,5×4
“La memoria è un essere capriccioso e bizzarro, …”, installation view
Giulio Malinverni, Sequela di miraggi, 2021, oil on red onyx, cm 40x30x3
Giulio Malinverni, Fuochi fatui, 2021, oil on red onyx, cm 40x30x3
Lorenzo Passi, La conquista dell’inutile #1, 2021, blown glass, steel,65×34×24 cm
Verónica Vázquez, Untitled, 2020, mixed media, cm 120x100x3