Serena Fineschi

Thirty Winter Nights (from Bruegel’s Sky to Bosch’s Garden), 2018, glass wool and green cardboard, 250 x 154 x 8 cm

Sonata muta per paesaggio n. 2, 2017, bic pens, 27,5 x 14,5 cm

Melancholia, 2017, milled MDF, 240 x 120 cm

L’Attesa, 2017, black ink on paper, 4 pieces each 15 x 10,5 cm

Untitled, 2017, abrasion on XIX Century metal, diameter 25 cm

Né in cielo, né in terra, 2017, grindstone on ivory wood pulp cardboard, 70 x 100 cm

Recto-Verso, 2016, strain and water on grey cardboard, 70 x 100 cm

Si salvi chi può, 2016, abrasion on honeycomb cardboard, 141,5 x 113 cm

L’Abbandono, 2016, rip and water on cardboard, 50 x 70 cm

Saturno, 2014, bites on white packing paper, 100 x 140 cm

W.W.W. – What Walls Want (group show) curated by Ilaria Bignotti, Marignana Arte, Venice, 2018

Rendez-Vous, with Alessadro Scarabello and Hans Op De Beeck, Oldmasters Museum, Bruxelles, 2018

Caveau, 2017, complesso museale Santa Maria della Scala, Siena

La distanza che ci unisce non ha nulla a che fare con la misura di tutte le cose, 2015, chalk charcoal on wall, site specific work

Cerco tra la terra e il cielo (Tentativo), 2015, abrasion on wall, site specific work

Paesaggio, 2013, substitution of an existing window: polycarbonat, atmospheric residues, breaths condensed, site specific work

Come quel giorno al mare quando ci siamo tolti le scarp, 2017, milled MDF, 2 pieces each 40 x 120 cm

 

Art cities: Venice-W.W.W. What Walls Want, Efi Michalarou, Dreamideamachine, May 2018
Dal muro all’opera. Undici artisti a Venezia, Arianna Testino, Artribune, May 2018
Suggestioni nordiche per tre artisti contemporanei a Bruxelles
, Sky Arte, February 2018
Italiani che guardano ai Fiamminghi. Il Museo Oldmasters di Bruxelles apre al contemporaneo, Marina Dacci, Exibart, February 2018
Dialoghi tra Italia e Belgio: con Scarabello, Fineschi, Op de Beeck
, Santa Nastro, Artribune, February 2018
Al Santa Maria della Scala, la mostra ‘Caveau’ conclude l’esperienza lunga un anno di Serena Fineschi, Siena News, October 2017
Caveau. Un progetto di frammenti, accadimenti di vita ed empatia. Art a part of Culture review by Serena Achilli, Artapartofculture, October 2017
Caveau. Santa Maria della Scala, September 2009
Poétique de la Mélancolie, Marie Claire Belgique, Download
Darstellung de Serena Fineschi, H-ART review by Colette Dubois, Download
Emois de la surface, La Libre Belgique review by Claude Lorent, Download
Quand émerge l’oevre, MU-inthecity review by Muriel de Crayencour, February 2017
La beautè du geste et de la matérie, L’Echo review by Didier Béclard, February 2017
Sous le signe de Saturne, Le Vif review by Michelle Verlinde, Download
Intervista a Serena Fineschi, MyDayWorth, October 2016
Grand Hotel Roma. ATP Diary review by Marco Arrigoni, ATP Diary, October 2016
Corpo a corpo. Marta Dell’Angelo e Serena Fineschi. Juliet Art Magazine review by Maurizio Marco Tozzi, Juliet Art Magazine, August 2016
Corpo a corpo: Marta Dell’Angelo e Serena Fineschi in dialogo. Espoarte review by Francesca De Filippi, EspoArte, June 2016
La peau. Entre le corps et le monde. L’Echo review by Didier Béclard, Download
L’arte in una stanza. Durante Art Brussels, nella capitale belga è nata Fondaco. Review by Marina Dacci/Serena Fineschi, Exibart, April 2016
Fondaco a Bruxelles. Da Serena Fineschi a Claudia Losi, Massimiliano Tonelli, Artribune, April 2016
A Siena nasce Caveau, Massimiliano Tonelli, Artribune, February 2016
Una cassaforte per le idee. Un piccolo progetto pubblico a Siena per aprire una finestra sul pensiero, Exibart, January 2016
Distances. Prato e Parigi, Elena Bordignon, ATP Diary, April 2105
Quando l’arte mette il segno MENO, Simone Rebora, Artribune, February 2015
Serena Fineschi, Stato di Grazia, Ilaria Tamburro, Exibart, November 2014
Serena Fineschi. Estetica del buio, Antonello Tolve, Antonello Tolve, Arshake, October 2014
Siena, tre minuti di black-out. Nessun guasto: è un’opera d’arte, Corriere di Firenze, October 2014

Serena Fineschi was born in Siena (Italy) in 1973. She lives and works between Siena and Brussels.

Serena Fineschi è nata a Siena nel 1973. Vive e lavora tra Siena e Bruxelles.

SOLO SHOWS

2017
Caveau, Complesso Museale SMS Santa Maria della Scala, Siena (IT)
Darstellung a dialogue with Marina Dacci, Frédéric De Goldschmidt Collection, Brussels (BE)
2016
Corpo a corpo (with Marta dell’Angelo) curated by Pietro Gaglianò, Galleria Passaggi Arte Contemporanea, Pisa (IT)
2015
Dans le dèsordre du payasage curated by Raffaele Gavarro, Canal 05 Art Gallery, Brussels (BE)
2014
Stato di Grazia, special project-urban performance, Siena, city center curated by Antonello Tolve and Brick Centro per la ricerca e la cultura contemporanea, Siena (IT)
Fortepiano curated by Esther Biancotti and Jacopo Figura, Galleria FuoriCampo, Brussels (BE)
2013
Il primo giorno di sole curated by Pietro Gaglianò, Galleria FuoriCampo, Siena (IT)
RSVP arte contemporanea in spazi privati curated by Pietro Gaglianò, Casa Piccolomini, Siena (IT)
GROUP SHOWS
2017
White Covers curated by Carin Fol and Frédéric De Goldschmidt, Frédéric De Goldschmidt Collection, Brussels (BE)
Grand Hotel curated by Serena Fineschi and Marco Andrea Magni, Surplace, Varese (IT)
L’instabilità degli oggetti curated by Pietro Gaglianò, ArteFiera2017, ex-Atelier Corradi, Bologna (IT)
Pubbliche intimità, Galleria Passaggi Arte Contemporanea, Bologna (IT)
2016
Fine del possibile, tra l’esausto e l’esaustivo, Galleria Frittelli Arte Contemporanea, Firenze (IT)
Grand Hotel curated by Serena Fineschi and Marco Andrea Magni, Fuori Quadriennale, Gallery of Art Temple University of Rome, Rome (IT)
From the City, in collaboration with the Biennale Architettura, Corderie dell’Arsenale, Venice (IT)
La pelle, Fondaco collateral event of ArtBrussels and Indepenedent, curated by Fondaco, Officina, Brussels (BE)
Frédéric de Goldschmidt Collection, residence, Brussels (BE);
2015
White Album, Zentrum/Surplace, Varese (IT)
La Camera delle Meraviglie curated by Pietro Gaglianò, Casa Masaccio Arte contemporanea, San Giovanni Valdarno, Arezzo (IT)
Distances curated by Matteo Innocenti, Valeria Cetraro and Edouard Escougnou, Galerie Cetraro-Escougnou, Paris (FR)
Grand Hotel curated by Serena Fineschi and Marco Andrea Magni, Riot Studio, Palazzo Marigliano, Napoli (IT)
Meno curated by Martino Margheri, Studio Mdt, Prato (IT)
Grand Hotel curated by Elena El Asmar, Serena Fineschi, Luca Pancrazzi, Marco Andrea Magni, InContemporanea, Complesso museale SMS Santa Maria della Scala, Siena (IT)
Distances – a project between Paris and Prato curated by Matteo Innocenti, Lato/Interno 8, Prato (IT)
Grand Hotel curated by Elena El Asmar, Serena Fineschi, Luca Pancrazzi, Marco Andrea Magni, Festival Studi#1, Via Privata Pantelleria, Milano (IT)
2014
8+1 curated by Matteo Innocenti, Spazio Lato/BBS, Prato (IT)
Artiste Domiciliè, collectors residence project by Galleria FuoriCampo, Brussels (BE)
2013
Run#2 – Spazio per artisti di passaggio, residence, Lerici, La Spezia (IT)
Un luogo aperto curated by Carolina Taddei, Museo d’arte moderna e contemporanea “Raffaele de Grada”, San Gimignano, Siena (IT)
The Wall (archives)-beyond the railway a project by Pietro Gaglianò, B.go Loreto/SP, CRAC Centro Ricerca Arte Contemporanea, Cremona (IT), Sponge arte contemporanea, Pergola (IT), ASSAB ONE, Milano (IT)
Sic, special project, Siena città candidata a Capitale della Cultura Europea 2019, Siena (IT)
2012
Made in Filandia 2012, residence, Pieve a Presciano, Arezzo (IT).
Upcoming___ 2018 Rendez-vous with Alessandro Scarabello and Hans Op de Beeck, Old Masters Museum – Musées Royal de Beaux-Arts de Belgique and at the Italian Cultural Institute, Brussels (BE)